Who Do You Believe? Story:-
Following the unexpected success of last spring’s hit film “God’s Not Dead,” Christian production company Pure Flix is now funding a series of faith-based movies set to hit theaters soon. Leading the pack is “Do You Believe?,” another ensemble drama penned by “God’s Not Dead” screenwriters Chuck Konzelman and Cary Solomon. This film follows a similar formula, blending elements of faith with the storytelling style reminiscent of Paul Haggis’s “Crash.” While “Do You Believe?” boasts higher production values and performances than typical indie Christian films, it falls short of providing consistent engagement on a dramatic level and lacks depth in its theological exploration. Despite this, the movie is expected to attract audiences through grassroots marketing and group sales, though it remains to be seen if it can replicate the $60 million domestic box office success of its predecessor.
Movie Ratings
| Release Date | 3 May 2022 |
| Language | English |
| Genre | Crime, Documentary |
| Episodes | 6 |
| Creator | Andy Dehnart |
| Cast | James Espinosa, Destini Renee, Kenneth J. Morgan |
| Director | Thomai Hatsios |
| Cinematography | Amza Moglan |
| Producer | Sarah Tyekiff, Ben Crompton |
| Production | Lime Pictures, Walt Disney Television |
| Certificate | 16+ |
Unlike the overtly doctrinaire elements of “God’s Not Dead,” “Do You Believe?” opts for a more subdued approach. Director Jonathan M. Gunn introduces a diverse group of characters in Chicago whose lives intersect around a large illuminated cross overlooking the Chicago River. Among them are grieving parents Teri and J.D. (portrayed by Cybill Shepherd and Lee Majors), homeless widow Samantha and her daughter Lily (played by Mira Sorvino and newcomer Makenzie Moss, respectively), nurse Elena and her brother Carlos (depicted by Valerie Dominguez and Joseph Julian Soria), pregnant teen runaway Maggie (played by Madison Pettis), and a pair of stereotypical gang members (Senyo Amoaku and rap artist Schwayze). These characters navigate various challenges and crises while being guided by Pastor Matthew (Ted McGinley), who emphasizes the importance of faith in their lives.
While “Do You Believe?” lacks the sensational elements of its predecessor, it still offers a heartfelt exploration of faith and redemption amidst life’s trials and tribulations. The film’s earnest approach and focus on the interconnectedness of its characters provide moments of emotional resonance, even if its theological themes may not fully satisfy all viewers. Overall, “Do You Believe?” aims to inspire audiences with its message of hope and the transformative power of belief in a higher purpose.
Inspired by a chance encounter with a mysterious street preacher, Matthew distributes pocket-sized wooden crosses to his congregation, urging them to translate their faith into action. This scene is juxtaposed with a botched hit carried out by Kriminal and Pretty Boy, highlighting the stark contrast between Matthew’s message of compassion and the violence perpetrated by others. While Matthew’s sermon initially fosters goodness and generosity among his followers, including acts of kindness towards strangers like Samantha and Lily, and Maggie finding solace with Matthew and his wife, the narrative eventually succumbs to divisive sentiments.
In the absence of a clear antagonist like Friedrich Nietzsche or an institution to criticize, “Do You Believe?” targets trade unions, the medical profession, and the legal system, portraying them as secular forces opposed to true believers. The movie vilifies an ER doctor with a “god complex” and depicts God being put on trial in a legal case involving a paramedic charged with proselytizing. These portrayals oversimplify complex issues and reduce them to mere caricatures, lacking the depth and nuance found in more thoughtful explorations of faith.
While crises of faith have long been a compelling subject for artists, “Do You Believe?” falls short of delivering meaningful insight. Unlike masterful films like Robert Bresson’s “Diary of a Country Priest” or John Michael McDonagh’s “Calvary,” which delve into the complexities of religious experience, “Do You Believe?” opts for simplistic, televangelical tropes that promise miraculous solutions to life’s challenges. In the end, the film’s attempt at spiritual enlightenment feels shallow and contrived, offering little more than clichéd reassurances of faith’s transformative power.
