The Exorcism Story :-
The Exorcism a once-famous actor, burdened by a troubled history, gets a fresh start when offered the starring role in an upcoming horror movie.
The Exorcism Release Date, Trailer, Songs, Cast
| Release Date | 21 June 2024 |
| Language | English |
| Genre | Horror, Thriller |
| Duration | 1h 33min |
| Cast | Russell Crowe, Sam Worthington, Ryan Simpkins, Chloe Bailey, David Hyde Pierce, Marcenae Lynette, Tracey Bonner, Samantha Mathis, Adrian Pasdar, Adam Goldberg |
| Director | Joshua John Miller |
| Writer | M.A. Fortin, Joshua John Miller |
| Cinematography | Simon Duggan |
| Music | Danny Bensi, Saunder Jurriaans |
| Producer | Bill Block, Ben Fast, Kevin Williamson |
| Production | Miramax, Outerbanks Entertainment |
| Certificate | A |
The Exorcism Review :-
In ‘The Exorcism’, Russell Crowe portrays Anthony Miller, a washed-up actor grappling with alcoholism and attempting a career comeback. His daughter, Lee (Ryan Simpkins), who has been expelled from school, joins him as a production assistant on set. The film opens with a mysterious death during filming, setting a dark tone that fails to fully materialize. It explores the intersection of fiction and reality on a horror film set plagued by genuine supernatural occurrences.
Director Joshua John Miller ambitiously blends a character-driven drama with horror tropes, drawing significant inspiration from William Friedkin’s seminal work, ‘The Exorcist’. This homage is underscored by Miller’s personal connection, as his father, Jason Miller, starred in the original film as Father Karras. Despite this familial tie, the film struggles to harmonize its dramatic core with its horror elements, resulting in a disjointed narrative that feels like two conflicting stories vying for dominance.
Crowe delivers a dedicated performance as Anthony Miller, portraying the character’s inner turmoil with a weight that hints at the film’s potential. His depiction of a man haunted by both literal and metaphorical demons offers the film’s most compelling moments, particularly in his struggles with addiction and guilt. Ryan Simpkins, playing Lee, fares less well, her character remaining underdeveloped and primarily serving as a narrative device to propel Anthony’s arc forward. David Hyde Pierce as Father Conor, the on-set priest and consultant, brings a layer of serene detachment to the story, yet his character, like others, lacks depth and a defined purpose.
The film attempts to evoke the chilling tension of ‘The Exorcist’ but often falls short. Scenes designed to provoke fear rely too heavily on predictable jump scares, diminishing the psychological horror Miller aims to achieve. Notably, the film engages in meta-commentary on the nature of horror filmmaking itself. The film-within-a-film framework offers a platform to explore the psychological impact of embodying such dark roles. However, this promising concept remains underdeveloped, leaving viewers with more questions than answers.
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