Thank God Story :-
Ayaan Kapoor, portrayed by Sidharth Malhotra, is a real estate agent facing dire financial straits and burdened by a considerable debt. His character is depicted as self-centered and morally bankrupt, often venting his frustrations on his wife, Ruhi Kapoor, a police officer played by Rakul Preet Singh. Desperate to settle his debts, Ayaan endeavors to sell his lavish mansion.
Movie Ratings
Release Date | 25 October 2022 |
Language | Hindi |
Genre | Comedy, Fantasy |
Duration | 2h 1min |
Cast | Ajay Devgn, Sidharth Malhotra, Rakul Preet Singh, Kiku Sharda, Seema Pahwa, Urmilla Kothare, Sumit Gulati, Nora Fatehi, Rofique Khan, Vikram Kochhar, Sammy Jonas Heaney, Saanand Verma, Mahesh Balraj, Sharik Khan, Vikky Kumar, Arnob Khan Akib, Shalani Tharaka, Vishal Bhavsar, Ariyan Mehedi |
Director | Indra Kumar |
Writer | Aakash Kaushik, Madhur Sharma |
Cinematography | Aseem Bajaj |
Music | Amar Mohile |
Producer | Bhushan Kumar, Krishan Kumar, Ashok Thakeria, Sunir Kheterpal, Deepak Mukut, Anand Pandit, Markand Adhikari |
Production | T-Series, Maruti International, Soham Rockstar, Anand Pandit Motion Pictures |
Certificate | 16+ |
On the day of his daughter’s birthday, while rushing to meet a potential client, Ayaan finds himself involved in a car accident. As he regains consciousness, he discovers himself in the afterlife, facing judgment for his past actions. Chitragupt, the celestial entity responsible for recording deeds, presents Ayaan with the ‘Game of Life’, a test that will determine whether he will be granted another chance on Earth or condemned to Hell.
The narrative, penned by Aakash Kaushik and Madhur Sharma, follows a simplistic trajectory, providing little room for surprises. Ayaan’s journey and the events leading to his judgment appear predictable, with audiences able to foresee the outcome. Director Indra Kumar’s approach balances entertainment with moral lessons, steering away from a heavy-handed narrative. The characters, including Chitragupt portrayed by Ajay Devgn, YD (Yamdoot) played by Mahesh Balraj, and modernized apsaras, contribute to a relatable viewing experience.
Throughout the film, references to Ajay Devgn’s iconic Singham franchise and nods to popular game show Kaun Banega Crorepati add to its contemporary appeal. The dialogue-heavy premise is interspersed with flashbacks, encounters with celestial beings, and ‘lifelines’, preventing monotony. However, the execution of CGI elements falls short, appearing gimmicky in several instances.
While Ajay Devgn delivers a commendable performance as the stern yet compassionate Chitragupt, Sidharth Malhotra’s portrayal of Ayaan lacks depth, hindering the engagement of the audience in the judgment process. Rakul Preet Singh’s portrayal of Ruhi, Ayaan’s supportive and competent wife, is adequate. Cameo appearances by seasoned actors Kanwaljeet Singh and Seema Pahwa further enrich the narrative.
Despite its dated and oversimplified narrative, reminiscent of the 90s era, the film offers an enjoyable viewing experience. It appeals to audiences seeking light-hearted entertainment, intertwined with messages of resilience, compassion, and the importance of familial bonds.