Kaam Chalu Hai Story:-
Inspired by true events, ‘Kaam Chalu Hai’ portrays the touching journey of a father who transforms his overwhelming grief into acts of kindness for others. ‘Kaam Chalu Hai’ had the chance to shed light on this indifference and spark a substantial conversation about the issue. However, it opts to address the problem superficially.
Movie Ratings
Release Date | 19 April 2024 |
Language | Hindi |
Genre | Drama |
Duration | 1h 22min |
Cast | Rajpal Yadav, Gia Manek, Kurangi Nagraj, Rajshree Shah, Param D Walia, Akshay Kamle, Meghali Nargachhe, Shreyash Pandit, Ajit Mehta, Akshay Patil, Prathamesh Nalavada |
Director | Palaash Muchhal |
Writer | Palaash Muchhal |
Cinematography | Parvez Pathan |
Music | Palash Muchal |
Producer | Deepak Gupta |
Production | Baseline Studios, Pal Music & Films |
Certificate | 16+ |
Potholes may appear innocuous, yet they claim numerous lives each year. In India, whether in bustling metropolises or quiet towns, potholes are a ubiquitous sight on roads. The situation exacerbates during the monsoon season, posing grave risks to lives due to the deplorable condition of the roads. ‘Kaam Chalu Hai’ addresses this pertinent yet overlooked civic issue, which surprisingly hasn’t been the subject of a film before. The severity of the problem begs the question why filmmakers have disregarded it entirely. Hence, the commendable effort and consideration to craft a film on this silent menace. Director Palaash Muchhal narrates his tale through the lives of the Patil family, a simple middle-class household in Sangli. Manoj (portrayed by Rajpal Yadav) works as a manager at a local eatery, while Radha (played by Gia Manek) is a homemaker. Their world revolves around their young daughter Gayatri (portrayed by Kurangi Nagraj), affectionately known as Gudiya. She excels in academics and sports, with Manoj nurturing dreams of her representing the country in cricket one day. However, tragedy strikes just before Manoj and Gudiya are set to depart for Mumbai for her cricket coaching, shattering their world.
Until this juncture, Muchhal’s film resembles a patchwork of scenes and songs stitched together to portray a contented family. The pacing of the film is sluggish, reminiscent of a dramatized social service advertisement. Performances leading up to the pivotal twist feel perfunctory, bordering on caricature. The familial banter appears contrived and artificial. It’s only in the latter half that the film begins to convey its message. While showcasing a happy family early on helps audience connection, the initial half feels overly animated. Nevertheless, the gravity of the subject matter is well-documented as the narrative progresses, highlighting the sinister and perilous nature of potholes. These road hazards have the potential to snatch lives within moments or inflict life-altering injuries. However, the prevalent administrative indifference is so pervasive that it’s disheartening to witness the lack of substantial repercussions.
‘Kaam Chalu Hai’ had the opportunity to shed light on this apathy and catalyze a significant discourse on the issue. Instead, it opts for a superficial treatment, failing to delve deeper into the problem or earnestly pursue those accountable. The film concludes abruptly, merely mentioning its basis on the life of a real crusader without providing insight into his story or efforts. Rajpal Yadav and Gia Manek deliver poignant performances, portraying the anguish of a parent.
In essence, ‘Kaam Chalu Hai’ touches upon a pertinent subject but ultimately misses the mark. With more nuanced storytelling and character development, this social drama could have served as a powerful tribute to an unsung hero and his lifesaving cause.