Jana Gana Mana Story :-
The brutal murder of a college lecturer, followed by the heinous act of burning her body, ignites a firestorm of public outrage. Assigned to unravel the mystery behind this appalling crime is Police Officer Sajjan Kumar, whose investigation proves to be a labyrinth of complexities. In “Jana Gana Mana,” directed by Dijo Jose Antony and featuring Prithviraj Sukumaran and Suraj Venjaramoodu in leading roles, the veil is lifted on the grim reality of fake encounters disguised as acts of justice.
Movie Ratings
| Release Date | 28 April 2022 |
| Language | Malayalam |
| Genre | Action, Thriller |
| Cast | Prithviraj Sukumaran, Suraj Venjaramoodu, Mamta Mohandas, Sri Divya, Dhruvan, Shari, Shammi Thilakan, Pasupathy, Azhagam Perumal, Ilavarasu, Vinod Sagar, Vincy Aloshious, Midhun, Hari Krishnan |
| Director | Dijo Jose Antony |
| Writer | Sharis Mohammed |
| Cinematography | Sudeep Elamon |
| Music | Jakes Bejoy |
| Producer | Supriya Menon, Listin Stephen |
| Production | Prithviraj Productions, Magic Frames |
| Certificate | 16+ |
The narrative unfolds against the backdrop of a society where such encounters are often glamorized as swift retribution. However, the film boldly confronts the underlying truth: these encounters serve not justice, but a perversion of it. Through the lens of this gripping tale, viewers are confronted with the stark reality of how such acts of violence are a disservice to society.
At the heart of the story lies the murder of Professor Saba Mariam, portrayed with poignancy by Mamta Mohandas. Media reports suggest a harrowing sequence of events: her body, ravaged by assault, is callously incinerated. Officer Sajjan Kumar, played with conviction by Suraj Venjaramoodu, embarks on a relentless pursuit of justice. Yet, his efforts are stymied at every turn, as the suspects prove elusive and the tendrils of political interference tighten their grip.
Drawing inspiration from real-life incidents, particularly the 2019 Hyderabad gang rape case and its aftermath, “Jana Gana Mana” offers a searing indictment of extrajudicial violence. It exposes the rot within the system, where those entrusted with upholding the law are complicit in its abuse. Through meticulously crafted storytelling, the film lays bare the societal biases and misplaced public sentiment that perpetuate such atrocities.
Central to the narrative is the examination of how political machinations exploit public sentiment for electoral gain. The film serves as a timely reminder of the dangers inherent in the unchecked power wielded by those in authority. It challenges viewers to confront their own complicity in perpetuating a culture of violence and injustice.
Suraj and Prithviraj Sukumaran deliver tour de force performances, breathing life into characters grappling with moral ambiguity and existential dilemmas. Their nuanced portrayal lends depth to a narrative that pulsates with urgency and relevance. Behind the scenes, the crew deserves accolades for their bold storytelling and unwavering commitment to truth.
However, amidst the film’s powerful narrative and stellar performances, one cannot overlook the glaring issue of poor quality Malayalam subtitles in theaters. This oversight detracts from the immersive experience and underscores the need for attention to detail in all aspects of film production.
In conclusion, “Jana Gana Mana” stands as a testament to the power of cinema to provoke thought and inspire change. It beckons viewers to confront uncomfortable truths and challenge the status quo. As we grapple with the fallout of societal injustices, the film serves as a rallying cry for accountability and reform.
