Cadaver Story :-
A young policewoman, driven by determination, embarks on a mission to unravel a murder mystery using a cadaver. However, her journey is fraught with obstacles as she must navigate through skepticism from her peers and bureaucratic resistance within the system.
Movie Ratings
| Release Date | 12 August 2022 |
| Language | Tamil |
| Genre | Crime, Mystery |
| Cast | Amala Paul, Riythvika Panneerselvam, Munishkanth, Harish Uthaman, Athulya, Thrigun |
| Director | Anoop Panicker |
| Writer | Abhilash Pillai |
| Production | Rack Story |
| Certificate | 16+ |
In “Cadaver,” Amala Paul returns to the screen, not only as an actor but also as a producer, in a gripping medical thriller that defies expectations. Despite its foreboding title, the film pulsates with intensity and intrigue, immersing viewers in the realm of a meticulously crafted investigative thriller. Yet, its narrative trajectory becomes somewhat predictable midway, relying heavily on flashback sequences with only one clever twist to break the monotony.
The storyline unfolds with the abduction and savage murder of a prominent surgeon within the city. As the investigation unfolds, we are introduced to Badra Thangavel (Amala Paul), an adept pathologist who joins forces with Assistant Commissioner Vishal (Harish Uthaman) to crack the case. Concurrently, attention is drawn to a prisoner named Vetri (Thrigun), who had previously declared his intent to kill the surgeon by sketching his likeness on the walls of his cell. With Vetri’s ominous proclamation coming to fruition, authorities are compelled to interrogate him, unveiling layers of complexity within the case.
Despite being incarcerated, Vetri manages to fulfill his deadly prophecy, triggering widespread shock and suspicions of external aid.
As the narrative progresses, we delve into Vetri’s backstory, encountering moments of tragedy that add depth to his character. Meanwhile, Badra’s astute maneuvers lead to revelations that shed light on the perplexing case.
Amala Paul’s portrayal undergoes a notable transformation, both in appearance and demeanor, as she embodies the role of a woman determined to uncover the truth. With her short hair and studious countenance, she convincingly portrays a character in control of her circumstances. Her portrayal of a pathologist navigating the intricacies of the mortuary setting is particularly captivating.
However, the film’s momentum wanes in the second half, failing to sustain the impact of its initial setup. Certain plot developments, such as Badra’s decision to re-examine a cadaver, lack adequate groundwork, diminishing their effectiveness within the narrative.
Nevertheless, “Cadaver” boasts commendable aspects, including its well-rounded characters and meticulous craftsmanship. Arvind Singh’s cinematography elevates the film’s visual appeal, seamlessly complementing its thematic elements. Ranjin Raj’s musical score adds subtle layers of emotion, enhancing pivotal moments throughout the narrative. Supporting actors, including Harish Uthaman, Vinod Sagar, Athulya Ravi, and Thrigun, deliver noteworthy performances, enriching the overall viewing experience.
Despite minor flaws, “Cadaver” stands out for its meticulous attention to detail, particularly in its art direction. The recreation of mortuary settings and cadaver scenes lends authenticity to the film’s atmosphere, immersing viewers in its world.
While the screenplay could have benefited from a more dynamic approach, director Anoop Panicker effectively translates the narrative onto the screen, making “Cadaver” a compelling watch from start to finish.
