Wedding Season Story:-
When a romantic comedy hits the mark, it usually means it’s firing on all cylinders: romance and comedy. The chemistry ignites, the humor delights, and the scenarios captivate. However, there’s also a breed of rom-coms akin to comfort food, like “Wedding Season.” It stars two highly appealing actors, Pallavi Sharda and Suraj Sharma, in a story about two attractive Indian Americans from Jersey City striving to break free from their parents’ traditionalist views on arranged marriage.
Movie Ratings
| Release Date | 8 September 2022 |
| Language | English |
| Genre | Action, Adventure, Comedy |
| Episodes | 8 |
| Cast | Rosa Salazar, Gavin Drea, Jade Harrison, Jamie Michie, Callie Cooke, Bhav Joshi, Ioanna Kimbrook, Omar Baroud |
| Director | George Kane, Laura Scrivano |
| Writer | Daran Johnson, Oliver Lyttelton |
| Cinematography | Adam Etherington, Annika Summerson |
| Music | Dan Deacon |
| Producer | Dan Kay, Sarah J. Donohue |
| Certificate | 16+ |
The film boasts witty banter, such as the sharp-tongued exchanges when the pair meets at a diner for cheeseburgers and fries after discovering their parents signed them up on the same dating app. It introduces twists, like their decision to feign a relationship to deter meddling matchmakers, only to find themselves actually developing feelings for each other. It navigates turns, as they grapple with the blurred lines between pretense and genuine emotion. It incorporates secrets and deceptions, all within the familiar framework typical of such movies.
But, does any of it truly elicit laughter? “Wedding Season” elicits a few smiles, some charming moments, and the like. Yet, it’s unlikely to evoke uproarious laughter worthy of legendary screwball comedies. It’s a manufactured treat churned out by the streaming industry. However, while the comedy may feel formulaic, the romance shines. The actors don’t just go through the motions of a love story — they imbue it with energy, sincerity, and authenticity.
A significant disparity between theatrical rom-coms and their streaming counterparts lies in the casting. The former often features established stars, while the latter tends to showcase up-and-coming talents. This can sometimes make streaming rom-coms seem like inferior replicas lacking the star power that graced big screens in the ’90s. However, this dynamic gives films like “Wedding Season” a unique advantage. In these lesser-known actors, there’s a certain believability that adds to the film’s charm. It’s easier to invest in characters portrayed by performers who aren’t overshadowed by their celebrity status.
Watching “Wedding Season,” I found myself buying into the characters more than I might have in a blockbuster rom-com starring A-listers like Jennifer Lopez or Hugh Grant. Pallavi Sharda’s portrayal of Asha, a conflicted millennial striving to make a difference, and Suraj Sharma’s depiction of Ravi, a brilliant entrepreneur with a heart of gold, feel genuine and relatable. While the movie may lack the glitz and glamour of its theatrical counterparts, it compensates with sincerity and authenticity, making it a worthwhile addition to the rom-com genre.
And I found the directness and charisma of these actors quite appealing. Sharda, with experience in both British and Bollywood cinema, exudes a no-nonsense demeanor reminiscent of Annabella Sciorra, while Sharma, tall and affable, portrays Ravi as a chivalrous Teddy bear seemingly untouched by life’s trials — until his facade begins to crumble. Both characters possess a defiant independence, making them ideal counterparts. However, their struggles against their parents’ traditional views on arranged marriage add subtle layers of tension to the story. This clash of generations echoes themes seen in “The Big Sick,” infusing the narrative with both humor and poignancy, although it’s important to note that “The Big Sick” is a farcical comedy compared to this film.
Surprisingly, in “Wedding Season,” the juxtaposition between the traditional arranged-marriage perspective and the modern ethos of individual autonomy carries more weight than expected. While many may perceive this conflict as outdated, particularly in Western societies, it remains relevant within certain Indian American communities. Here, it serves as a metaphor, looming over the characters as a reminder of their inevitable transition into adulthood.
The title “Wedding Season” is aptly chosen, as Asha and Ravi find themselves obligated to attend numerous weddings over the summer. Their decision to feign a romantic relationship serves as a shield against the meddling matchmaking efforts of their acquaintances. Among the couples tying the knot is Asha’s sister, Priya, whose fiancé, Nick, comically attempts to assimilate into Indian culture. While some moments elicit laughter, there’s a poignant undertone to Priya’s intercultural marriage. She represents a departure from tradition within her family, a concept the film handles with sensitivity. Despite the parents’ conservatism, “Wedding Season” offers glimpses into their perspective, acknowledging that marriage extends beyond the couple involved, shaping the trajectory of society.
In its exploration of marriage, tradition, and cultural identity, “Wedding Season” evokes moments of reflection and emotion. It subtly reminds viewers of the interconnectedness of individuals and the passage of time, leaving a lasting impression long after the credits roll.
