WeCrashed Story:-
The persistent trend of describing TV shows as “a [x]-hour movie” persists, despite the ambiguity of the statement. Yet, the creators of “WeCrashed,” Lee Eisenberg and Drew Crevello, have refrained from labeling their limited series starring Jared Leto and Anne Hathaway as such. Nevertheless, the show ends up resembling an eight-hour film, albeit with a strong start that gradually loses momentum towards its repetitive conclusion.
Movie Ratings
| Release Date | 18 March 2022 |
| Language | English |
| Genre | Drama |
| Episodes | 8 |
| Cast | Jared Leto, Anne Hathaway, Kyle Marvin, America Ferrera, Robert Emmet Lunney, O. T. Fagbenle |
| Director | John Requa, Glenn Ficarra, Tinge Krishnan, Shari Springer Berman, Robert Pulcini |
| Writer | Lee Eisenberg, Drew Crevello |
| Cinematography | Xavier Grobet, Corey Walter |
| Producer | Lee Eisenberg, Drew Crevello, John Requa, Glenn Ficarra, Jared Leto, Anne Hathaway, Charlie Gogolak, Emma Ludbrook, Natalie Sandy |
| Production | Apple Studios, Paradox Production, Zaftig Films |
| Certificate | 16+ |
“WeCrashed” explores the true story of Adam Neumann, the serial entrepreneur behind the rise and fall of WeWork. Leto portrays Neumann, whose ambitious vision propelled WeWork to a multi-billion dollar enterprise before investors uncovered his extravagant bluffs. The series primarily focuses on the relationship between Adam and his wife, Rebekah, played by Hathaway, depicting their fervent belief in their ability to “save the world” and the subsequent challenges they face.
While Leto and Hathaway deliver compelling performances, embodying the larger-than-life characters with conviction, the series struggles to justify its eight-hour runtime. It repeatedly emphasizes the same dynamics of Adam’s persuasive tactics, Rebekah’s evolving role, and their pursuit of dominance. Even the anticipated “crash” unfolds slowly over seven episodes, prolonging the narrative without significant progression.
Despite attempts to explore Adam and Rebekah’s backgrounds and motivations, the series falls short in delving deep into their psyche. Moreover, its focus on the couple limits the exploration of the impact of their actions on those around them. While supporting characters like Miguel, Elishia Kennedy, and Cameron Lautner offer glimpses of dissent, their perspectives are overshadowed by the central narrative.
“WeCrashed” boasts slick direction and production values, effectively capturing Adam’s affinity for excess. However, its repetitive storytelling and narrow focus prevent it from fully addressing the complexities of the WeWork saga and its repercussions. Despite the stellar performances of Leto and Hathaway, the series struggles to maintain momentum, resulting in a somewhat underwhelming viewing experience.
Comparing “WeCrashed” to Hulu’s “The Dropout,” another limited series portraying the rise and fall of a charismatic startup CEO, reveals stark differences in their approaches to storytelling. While “The Dropout” meticulously explores the impact of Elizabeth Holmes’ actions on her employees and peers, “WeCrashed” struggles to provide depth to its supporting characters, relegating them to the sidelines until late in the series.
“WeCrashed” attempts to incorporate the perspectives of WeWork employees like Lesley, Jacob, and Chloe, but their portrayal lacks depth and development. These characters remain largely one-dimensional until the narrative’s climax, missing the opportunity to fully explore the consequences of Adam Neumann’s actions on those around him. Unlike “The Dropout,” which highlights the devastation caused by Holmes’ deception, “WeCrashed” focuses predominantly on the central characters’ storyline, neglecting the experiences of those affected by their downfall.
However, the series briefly shines in its third episode, “Summer Camp,” which offers a glimpse into Chloe’s journey from excitement to disillusionment as a WeWork employee. Directed by Requa and Ficarra, and expertly edited by Debra Beth Weinfeld, the episode captures the intoxicating yet overwhelming atmosphere of WeWork through a captivating montage. Chloe’s transformation from enthusiastic newcomer to disillusioned worker resonates deeply, culminating in a poignant revolt against Rebekah’s false promises of a “family” environment at WeWork.
In this fleeting moment, “WeCrashed” transcends its superficial focus on wealth and status, delving into the human toll of corporate ambition. However, such instances are rare in the series, which predominantly relies on clichéd narratives about the allure of wealth. Despite occasional glimpses of brilliance, “WeCrashed” ultimately fails to provide a compelling reason for viewers to invest in its characters or storyline beyond surface-level intrigue.
“WeCrashed” premieres its first three episodes Friday, March 18 on Apple TV Plus.
