Visfot (JioCinema) Story :-
A reimagining of the Venezuelan drama Rock, Paper, Scissors!, this film follows the unintended kidnapping of a child, which sets off a series of precarious events leading to tragedy for all those involved.
Visfot (JioCinema) Release Date, Trailor, Songs, Cast :-
| Release Date | 6 September 2024 |
| Language | Hindi |
| Genre | Crime, Thriller |
| Duration | 2hr 10min |
| Cast | Riteish Deshmukh, Fardeen Khan, Priya Bapat, Krystle D’Souza, Seema Biswas, Sheeba Chaddha, Arjun Aneja, Purnendu Bhattacharya, Parth Siddhpura |
| Director | Kookie Gulati |
| Writer | Abbas Dalal, Hussain Dalal |
| Cinematography | Shikhar Bhatnagar |
| Music | Amjad Nadeem |
| Producer | Anuradha Gupta, Sanjay Gupta, Bhushan Kumar, Krishan Kumar |
| Production | White Feather Films, T-Series Films |
| Certificate | 13+ |
Visfot (JioCinema) Review :-
Visfot—which means “explosion” in Hindi—is a suspenseful and anxiety-inducing exploration of Mumbai’s stark social contrasts. Directed by Kookie Gulati, this Hindi remake of the Venezuelan film Rock, Paper, Scissors (2012) starts with a compelling premise but struggles to sustain its intensity. The story follows Shoeb Khan (Fardeen Khan), a cab driver from Dongri who accidentally loses a jacket filled with illegal drugs, and Akash (Riteish Deshmukh), an airline pilot whose life unravels when he discovers his wife Tara (Priya Bapat) is cheating on him. As the day deteriorates, their lives become dangerously entangled in a web involving the mafia, the police, and their unsuspecting families.
The first half of the film, penned by Abbas and Hussain Dalal, skillfully builds tension and sets up high stakes. However, as the story moves toward its climax, it stumbles with predictable twists, and an out-of-place song in the third act diminishes the urgency of what should have been a gripping conclusion. This emotional detour detracts from the thriller’s potential, resulting in a less impactful ending.
Visfot (JioCinema) Trailor :-
Despite its shortcomings, Visfot features strong performances. Fardeen Khan delivers a grounded and compelling portrayal of Shoeb, effectively capturing the desperation of a man ensnared in chaos. Riteish Deshmukh adds depth to Akash, skillfully conveying both his vulnerability and internal conflict. Priya Bapat portrays Tara with a palpable sense of the strain from a deteriorating marriage, while Krystle D’Souza brings charm to her role as Lucky, though her character could benefit from further development. Seema Biswas excels as the menacing Acid Tai, exuding a palpable sense of danger, and Sheeba Chadha’s brief but impactful role as Shoeb’s mother provides crucial emotional weight.
While Visfot grapples with uneven pacing and a weakened climax, its compelling performances and intense, chaotic narrative offer enough excitement to engage viewers. With a tighter execution, it could have delivered a more memorable experience.
