Udan Patolas Season 1 Story:-
‘Udan Patolas’ follows the journey of four spirited women from Punjab who now call Mumbai home, navigating the intricacies of love and work in six engaging episodes. Fearless and outspoken, these women embrace life to the fullest, cherishing every moment.
Movie Ratings
| Release Date | 10 June 2022 |
| Language | Hindi |
| Genre | Comedy |
| Episodes | 6 |
| Cast | Aasttha Ssidana, Sukhmani Sadana, Apoorva Arora, Poppy Jabbal, Rakesh Bedi, Taniya Kalrra, Vaibhav Talwar, Manik Singh |
| Director | Shakti Sagar Chopra |
| Writer | Sukhmani Sadana, Naor Zion |
| Cinematography | Veer P |
| Producer | Meghana Badola, Priya Jhavar |
| Production | Applause Entertainment Ltd., Sol Production |
| Certificate | 16+ |
In a pivotal scene of the fifth episode, Mr. Mittal, portrayed by Rakesh Bedi, introduces his team—comprised of the series’ four lead characters—to a prominent figure in the world of gems. Yet, despite their designation, it remains unclear whether they hold substantial roles within the organization or merely serve as adornments. This perplexing scenario encapsulates the superficiality that permeates ‘Udan Patolas,’ a series that fails to delve beneath its glossy exterior.
Unfortunately, ‘Udan Patolas’ falls short of its contemporaries in the realm of OTT content, lacking the depth, humor, and immersion that captivates audiences. Rather than offering insight or entertainment, the series presents a world characterized by shallowness and frivolity—a realm where money reigns supreme, characters chase material wealth, and CEOs are idolized as demigods. It fails to capture the essence of shows like ‘Four More Shots’ or ‘Industry.’
Centered around four friends—Noor, Lovelle, Puneet, and Amrit—the series attempts to navigate their professional and personal lives, yet struggles to establish coherence. While Noor’s boisterous demeanor often lands her in trouble, Lovelle, Puneet, and Amrit grapple with their own romantic entanglements and workplace dynamics. Unfortunately, the performances by the lead cast veer into caricature territory, leaning heavily on stereotypes associated with Punjabi culture. Aasttha Ssidana’s portrayal of Noor, in particular, falls flat, relying on loud mannerisms and clichés. In contrast, Sukhmani Sadana delivers a more measured performance as Lovelle, while Apoorva Arora’s portrayal of Punni tends to veer towards melodrama. Poppy Jabbal’s portrayal of Amrit lacks memorability, failing to leave a lasting impression.
Adapted from the Israeli series ‘Honey Badgers,’ ‘Udan Patolas’ struggles to capture the essence of its source material, much like its characters’ attempts at fitting into Mumbai’s elite social circles. Ultimately, the series fails to take flight, leaving audiences yearning for substance and authenticity.
