Troll Story:-
Set against the rugged backdrop of Norway’s majestic landscape, “Troll” weaves a tale steeped in Scandinavian folklore and modern environmental dilemmas. At its core lies the story of Nora, a seasoned palaeontologist, thrust into a perilous mission by the Norwegian government to contain a mythical creature awakened from its thousand-year slumber within the depths of the Dovre mountains. With the assistance of her military captain father and the Prime Minister’s advisor, Nora embarks on a race against time to halt the rampage of the enigmatic ‘mystery beast’.
Movie Ratings
| Release Date | 1 December 2022 |
| Language | English |
| Genre | Action, Adventure, Fantasy |
| Duration | 1h 41min |
| Cast | Ine Marie Wilmann, Kim Falck, Mads Sjøgård Pettersen, Gard B. Eidsvold, Pål Richard Lunderby, Pål Anders Nordvi, Eric Vorenholt, Hugo Mikal Skår |
| Director | Roar Uthaug |
| Writer | Espen Aukan |
| Cinematography | Jallo Faber |
| Music | Johannes Ringen |
| Producer | Espen Horn, Kristian Strand Sinkerud |
| Production | Motion Blur Films |
| Certificate | 16+ |
While “Troll” endeavors to deliver a timely message about the importance of environmental preservation, its narrative falls short of innovation, succumbing to predictability and familiar tropes. The plot unfolds as Nora grapples with the resurgence of a legendary Troll, unleashed upon modern society by the heedless excavation of the mountains. Despite the government’s concerted efforts, the formidable creature proves to be unstoppable, leaving a trail of destruction in its wake.
Drawing unmistakable parallels to the iconic 1998 film “Godzilla,” “Troll” struggles to carve out its own identity, relying heavily on well-trodden story beats and formulaic plot devices. While moments of tension are interspersed throughout, some sequences verge on the implausible, diluting the impact of the film’s central conflict.
One notable aspect of “Troll” lies in its exploration of the Troll’s humanity, exemplified by a poignant scene where the creature unexpectedly saves a young girl from peril. However, such moments are sparse, overshadowed by missed opportunities to delve deeper into the rich mythology surrounding the Troll and its origins. Characters like Tobias, who possess crucial insights into the creature’s nature, are underutilized, leaving narrative gaps that detract from the film’s overall coherence.
Despite its shortcomings, “Troll” garners praise for its commendable special effects and solid performances, particularly from Gard B Eidsvold as Tobias and Ine Marie Wilmann as Nora. The film succeeds in delivering a visually stunning spectacle, albeit one that feels derivative in the realm of monster movies. While its underlying message about the dangers of unchecked growth resonates, “Troll” ultimately falls short of its potential, leaving audiences longing for a deeper exploration of its mythology and characters.
In conclusion, “Troll” may serve as a passable entry into the monster movie genre, but it fails to leave a lasting impression. With its predictable plot and lack of narrative depth, the film struggles to distinguish itself amidst a crowded field of similar offerings. As the credits roll and the promise of a sequel looms, one can’t help but wonder if “Troll” missed the mark in its quest for cinematic glory.
