The Kardashian family’s media strategy was once finely tuned, akin to the precision of a Swiss watch. Events in their public lives would unfold and be covered by tabloids, followed by episodes of their reality show, “Keeping Up With the Kardashians,” airing months later. This orchestrated sequence allowed the family to control the narrative, captivating audiences with their personal insights delivered directly to the camera. Story:-
Movie Ratings
| Release Date | 23 September 2022 |
| Language | English |
| Genre | Documentary, Drama |
| Episodes | 10 |
| Cast | Kris Jenner, Kim Kardashian, Kourtney Kardashian, Khloé Kardashian, Kendall Jenner, Kylie Jenner, Travis Barker, Pete Davidson |
| Cinematography | Travis LaBella |
| Producer | Ben Winston, Emma Conway, Danielle King |
| Production | Fulwell 73, Kardashian Jenner Productions |
| Certificate | 16+ |
However, with their new venture, Hulu’s “The Kardashians,” produced by Kim Kardashian, her mother, sisters, and Ben Winston, the family’s control has tightened while losing the authenticity that characterized their previous endeavors. While they still crave attention, they seem reluctant to share certain aspects of their lives. The show’s format has evolved, abandoning the sitcom-style charm and relatable lighting of their previous series. Instead, “The Kardashians” adopts a polished aesthetic, presenting the family as standard-bearers of the fashion industry.
Yet, despite the glamorous facade, the substance of the show has diminished. Episodes lack the depth and insight into the family’s personal dramas that once captivated audiences. While significant events are documented, such as Kim’s preparation for the Met Gala, the focus remains superficial. Viewers are denied glimpses into the behind-the-scenes negotiations and personal struggles, diminishing the authenticity of the narrative.
In the season’s opening episode, Khloé reveals her impending motherhood via surrogate, a topic she had previously avoided discussing on camera. While her right to privacy is respected, it underscores the show’s selective transparency. What viewers see is carefully curated, leaving much of the family’s reality concealed from view. Discussions about trivial matters, like the decoration of private jets, feel contrived and fail to resonate with audiences seeking genuine insight into the family’s lives.
Ultimately, “The Kardashians” struggles to strike a balance between maintaining control over their image and providing engaging content for viewers. While their influence remains undeniable, the show’s departure from authenticity risks alienating audiences seeking genuine connection with the family. As the season concludes, it leaves viewers questioning the true motives behind the carefully crafted facade presented on screen.
Elsewhere, there’s mention of the family’s stress regarding a lawsuit initiated by Blac Chyna, the former partner of Kim’s brother Rob, who is notably absent from the camera. However, viewers are not provided with any substantial context or insight into the lawsuit, leaving us with only vague references from Kim and her family about revealing the truth to the world. Similarly, Kanye West, now known as Ye and Kim’s ex-husband, is noticeably absent from the show, while Pete Davidson, Kim’s former boyfriend post-marriage, makes only a brief appearance. Ye’s absence is particularly glaring, given his prominence in the news cycle due to controversial public statements, including those deemed antisemitic. Kim’s reluctance to delve into such sensitive topics is understandable, but it leaves the show feeling sanitized and lacking in authenticity.
The “Kardashians” franchise has always sought to redefine reality, initially presenting a Hollywood-adjacent individual, famous for a sex tape scandal, as part of a family of potential stars. However, the attempts to shape the narrative according to the family’s terms are now more apparent and off-putting. For instance, in a scene from the fourth episode of the season, family members are interviewed for a video accompanying a Variety cover story. Kim expresses surprise at the public’s reaction to her comments, which were edited to exclude her privileged remark that “nobody wants to work these days.” This selective editing, highlighted by the noticeable discrepancy, suggests a lack of subtlety in the show’s manipulation of narratives.
It’s evident that the Kardashians are keen to showcase their work ethic, particularly within the fashion industry, even if it resembles a heavily scheduled vacation to many viewers. However, their reluctance to address certain topics may lead to a waning public interest over time. Historically, the family’s insights into their personal lives have captivated audiences, but the shift towards portraying a sanitized version of reality risks alienating viewers seeking authenticity. While hard work may be virtuous, it lacks the intrigue and entertainment value that audiences have come to expect from the Kardashians.
