Selfiee Story:-
In the bustling streets of Bhopal, the clash between a hotshot movie star, Vijay Kumar (Akshay Kumar), and a diligent traffic cop, Om Prakash Agarwal (Emraan Hashmi), over a driver’s license forms the crux of the story in this entertaining remake of the 2019 Malayalam film, Driving Licence.
Movie Ratings
Release Date | 24 February 2023 |
Language | Hindi |
Genre | Comedy, Drama |
Duration | 2h 23min |
Cast | Akshay Kumar, Emraan Hashmi, Nushrratt Bharuccha, Diana Penty |
Director | Raj Mehta |
Writer | Rishhabh Sharrma |
Cinematography | Rajeev Ravi |
Music | Shivai Vyas, Himesh Reshammiya, Tony Kakkar, Bharat Goel, Lijo George, D.J. Chetas, Tanishk Bagchi |
Producer | Prithviraj Sukumaran, Karan Johar |
Production | Prithviraj Productions, Dharma Productions |
Certificate | 16+ |
Director Raj Mehta masterfully navigates the narrative, infusing it with humor and wit, particularly in the first half of the film. The playful banter between the two protagonists and the amusing one-liners keep the audience engaged, even as the premise may seem somewhat stretched. Akshay Kumar shines in his role, effortlessly blending his stardom with the character of Vijay Kumar. His portrayal is peppered with nods to his real-life persona, adding an extra layer of charm to the character. Emraan Hashmi, on the other hand, delivers a standout performance as the earnest fan-turned-nemesis, Om Prakash Agarwal. Despite occasional slips in maintaining a Bhopali accent, Hashmi’s portrayal is convincing and engaging
The supporting cast also delivers commendable performances, with Abhimanyu Singh and Meghna Malik leaving a lasting impression. Singh’s portrayal of the fading superstar Suraj brings humor and depth to the character, while Malik’s comic timing shines in her scenes with Akshay Kumar. Diana Penty and Nushrratt Bharuccha, though with limited screen time, make their presence felt with their respective roles.
The film’s soundtrack, composed by Anu Malik, Tanishk Bagchi, and Lijo George-DJ Chetas, adds to the overall entertainment quotient, with foot-tapping numbers like “Main Khiladi” and “Sher.”
While the film’s second half may lack the same level of humor as the first, it remains a watchable and enjoyable experience. Raj Mehta skillfully navigates through themes such as trial by media and the #BoycottBollywood movement, albeit in a somewhat repetitive manner.
In conclusion, Selfiee offers a delightful blend of humor, witty dialogues, and stellar performances, making it a perfect choice for a weekend comedy flick. With its rib-tickling moments and engaging storyline, the film promises an enjoyable cinematic experience for audiences of all ages.