Royalteen: Princess Margrethe Story:-
“Royalteen – Princess Margrethe” serves as a sequel to the 2022 Norwegian film “Royalteen,” shifting its focus to Princess Margrethe, the troubled sister of Prince Kalle. After a tumultuous incident at the prom where Margrethe collapses and is rushed to the hospital, her parents, the king and queen, worry more about the potential fallout from her actions than her well-being. However, a skiing holiday with the royal families of Denmark and Norway offers hope for Margrethe to meet Prince Alexander, whom she has been messaging. Yet, complications arise during the holiday, including the discovery of a compromising video and tension between her parents. Margrethe’s friendship with Ingrid deteriorates, leaving her to rely on her friend Arni for support.
Movie Ratings
| Release Date | 11 May 2023 |
| Language | English |
| Genre | Drama, Romance |
| Duration | 1h 38min |
| Cast | Ines Høysæter Asserson, Elli Rhiannon Müller Osborne, Julie Agnete Vang, Mathias Storhøi, Pål Richard Lunderby, Filip Bargee Ramberg, Sammy Germain Wadi |
| Director | Ingvild Søderlind |
| Writer | Halvorsen, Marta Huglen, Ravheim, Ester Schartum Hansen, Per-Olav Sørensen |
| Cinematography | Jakob Ingason |
| Music | Stein Johan Grieg Halvorsen, Kate Havnevik |
| Producer | Janne Hjeltnes, Ingrid Skagestad |
| Production | The Global Ensemble Drama |
| Certificate | 16+ |
“Royalteen – Princess Margrethe” attempts to explore the complexities of a lonely and misunderstood princess grappling with substance abuse and mental health issues. While the premise sets the stage for an intriguing narrative, the film falls short in fully realizing its potential. Despite occasional glimpses into Margrethe’s vulnerable side, the storyline fails to maintain engagement, hindered by a languid pace and superficial treatment of its themes.
The film effectively portrays Margrethe’s struggles with addiction and the pressure to maintain a perfect facade, but it ultimately lacks depth in its execution. Important issues such as mental health and substance abuse among teenagers are only superficially addressed, leaving much to be desired in terms of narrative depth and character development.
Despite its picturesque setting in the Norwegian mountains and a promising romantic subplot, “Royalteen – Princess Margrethe” fails to capitalize on these elements. The romance feels underdeveloped, and several story threads are left unresolved, leaving viewers unsatisfied with the overall experience.
In conclusion, “Royalteen – Princess Margrethe” falls short of expectations, delivering an underwhelming viewing experience with insufficiently developed plots and subplots. While it presents an intriguing premise, the film struggles to engage audiences and lacks the depth needed to fully explore its thematic elements.
