Roohaniyat Story:-
Saveer (Arjun Bijlani) and Prisha (Kanika Mann) find themselves grappling with shattered hearts after their respective partners abandon them, albeit in different ways. Despite their past sorrows, all they yearn for is love. Will fate lead them to discover it in each other’s arms?
Movie Ratings
| Release Date | 23 March 2022 |
| Language | Hindi |
| Genre | Drama, Mystery, Romance |
| Episodes | 13 |
| Cast | Arjun Bijlani, Kanika Mann, Yuvika Chaudhary, Aman Verma, Smita Bansal, Palak Purswani, Geetika Mehandru, Harshit Sindhwani, Arushi Handa, Shaan Groverr, Anuj Khurana, Sandeep Chatterjee |
| Director | Glen Barretto, Ankush Mohla |
| Writer | Sushil Choubay, Shilpa Choubey, Shreyes Anil Lowlekar |
| Cinematography | Ramani Ranjan Das |
| Music | Rishabh Shrivastava |
| Producer | Gautam Talwar |
| Production | Endemolshine India |
| Certificate | 16+ |
“Roohaniyat” embarks on a romantic journey peppered with nostalgic flashbacks, offering a warm embrace to fans of traditional television dramas. Yet, beneath its veneer of endearment lies a perplexing reflection on one’s viewing choices, prompting introspection into the decision to embark on this particular series.
Indian television dramas have often treaded precarious paths, and “Roohaniyat” stands testament to the potential perils awaiting OTT platforms. While some may find solace in the melodramatic allure of Arjun Bijlani and Kanika Mann’s on-screen chemistry, others might feel displaced, belonging to a different era and realm altogether.
Undoubtedly, “Roohaniyat” exudes moments of charm, but its descent into absurdity and cringe-worthy scenarios leaves much to be desired. The writers appear to have mistaken predictability for compelling storytelling, resulting in a narrative that veers into the realm of caricature. However, within the context of Indian television, audiences have weathered far worse storms. Yet, this does not absolve the creators from the responsibility of delivering substantive content.
The director’s insistence on Arjun Bijlani (Saveer) maintaining a stoic demeanor during pivotal scenes only exacerbates the show’s shortcomings. Fortunately, Bijlani’s adept portrayal infuses certain sequences with vitality, salvaging an otherwise unpalatable viewing experience. His versatility shines through, oscillating between moments reminiscent of “Kabir Singh” to baring it all in a raw display of vulnerability.
Furthermore, the implausibility of the plot extends to the realm of costume design. Saveer emerges from prison akin to a triumphant hero, sporting a meticulously groomed appearance that belies his recent incarceration. Similarly, Prisha’s introduction is marked by an overtly theatrical entrance, riding a bicycle amidst a sea of red balloons. Such exaggerated theatrics serve as a stark reminder of television’s detachment from reality.
As the narrative unfolds, “Roohaniyat” gradually descends into an unsettling terrain, tacitly condoning bullying as a means of forging friendships. Despite its apparent predictability, the show fails to captivate, rendering even the most unexpected yawns more unpredictable than its storyline.
While the series’ conclusion offers a semblance of charm and intrigue, it ultimately fails to introduce anything novel or innovative. Despite its potential on paper, “Roohaniyat” falters in execution, stumbling over clichés and contrivances. Even the purported essence of romance, touted as its selling point, fails to resonate with viewers.
Verdict:
In essence, “Roohaniyat” bears a striking resemblance to a televised rendition of “Main Prem Ki Diwani Hoon.” Characters are compelled to overact, while the background score incessantly underscores each melodramatic moment. Despite sporadic glimpses of promise, the storyline remains ensnared in a repetitive loop, offering little respite from its monotony.
Both Yuvika’s and Kanika’s roles perpetuate regressive stereotypes, reducing female characters to mere archetypes of glamour and melodrama. Similarly, Arjun’s character is often objectified, further exacerbating the show’s inherent flaws. Regrettably, there’s no recourse to reclaim the lost time invested in “Roohaniyat.” Hence, it’s advisable to invest one’s time in more worthwhile pursuits, revisiting cherished favorites rather than succumbing to this lamentable misstep.
