Others Story :-
“A detective delves into a series of severe health issues in IVF-born infants, uncovering a dark conspiracy of stolen eggs, tampered laboratories, and banned steroids.”
Others Release Date, Trailor, Songs, Cast :-
| Release Date | 7 November 2025 |
| Language | Tamil |
| Genre | Crime, Thriller |
| Duration | 2h 13min |
| Cast | Jagan, Gouri G. Kishan, Anju Kurian, Aditya Madhavan, Munishkanth, Maala Parvathi, Harish Peradi, Vinoth Sagar |
| Director | Abin Hariharan |
| Writer | Abin Hariharan |
| Cinematography | Aravinnd Singh |
| Music | Ghibran Vaibodha |
| Producer | Murali |
| Production | Grand Pictures |
| Certificate | 16+ |
Others Review :-
“Others” wastes no time on lengthy setup. Director Abin Hariharan launches his medical thriller with efficiency: a car accident involving blind women from an orphanage, IVF babies suffering alarming conditions, and hacked hospital systems. ACP Madhav (Aditya Madhavan) begins connecting the dots, while his fiancée, Dr. Madhu (Gouri Kishan), uncovers tampering in her clinic’s lab reports. Their separate investigations converge, revealing a sinister link between medical malpractice and a deeper societal rot.
The film’s core concept is compelling. There’s a genuine villain with motives tied to real societal issues, and the story handles its themes seriously without ever feeling preachy. The narrative is straightforward, which serves it well—you’re presented with mysteries to unravel without the plot veering into needless tangents or forced comic relief. Abin keeps the story moving at a steady pace, a quality that matters more than you’d expect in a genre often weighed down by excess.
Where “Others” falters is in its struggle to generate real tension, despite having all the right elements. The investigation progresses methodically, dropping clues at steady intervals, but it never builds the escalating suspense that makes thrillers truly gripping. Aditya Madhavan and Gouri Kishan give earnest, grounded performances that anchor the procedural narrative. What the film really needed was a more layered villain—someone whose presence could heighten the cat-and-mouse stakes. While the antagonist’s motives are intriguing on paper, the character requires more screen time and nuance to fully deliver the story’s intended impact.
Others Trailor :-
Final Thought
Aravinnd Singh’s cinematography is competent, and Ghibran’s score delivers tension when required, but visually, nothing truly stands out—it feels functional rather than striking. The film works best when you concentrate on the story’s direction rather than its visual flourishes.
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