Only Murders in the Building Season 4 (Hulu) Story :-
Charles (Steve Martin), Oliver (Martin Short), and Mabel (Selena Gomez) are pulled into a fresh murder mystery when Charles’ stunt double, Sazz, is killed. As they delve into the investigation, they navigate the glitz of Hollywood and the chaos of their podcast’s film adaptation. They soon uncover a chilling possibility: Sazz’s death might be a diversion, with Charles himself being the real target.
Only Murders in the Building Season 4 (Hulu) Release Date, Trailor, Songs, Cast :-
| Release Date | 27 August 2024 |
| Language | English |
| Genre | Comedy, Crime, Drama |
| Episodes | 10 |
| Cast | Steve Martin, Martin Short, Selena Gomez, Michael Cyril Creighton, Da’Vine Joy Randolph, Jane Lynch, Meryl Streep, Desmin Borges, Siena Werber, Lilian Rebelo, Eva Longoria |
| Director | John Hoffman |
| Writer | Kristin Newman, Joshua Allen Griffith, Madeleine George, John Hoffman |
| Cinematography | Kyle Wullschleger |
| Music | Siddhartha Khosla |
| Producer | Dan Fogelman, Selena Gomez, John Hoffman, Steve Martin, Jess Rosenthal, Martin Short |
| Production | 20th Century Fox Television, 40 Share Productions, Another Hoffman Story Productions, Rhode Island Ave. Productions |
| Certificate | 16+ |
Only Murders in the Building Season 4 (Hulu) Review :-
In 2024, stunt performers have stepped into the spotlight, a trend started by Ryan Gosling’s film “The Fall Guy,” which centers on a body double. Now, Season 4 of “Only Murders in the Building” takes this theme further with the murder of Sazz Pataki (Jane Lynch), the longtime stunt double for former procedural star Charles-Haden Savage (Steve Martin). Sazz’s shooting in the Season 3 finale sets the stage for a season that maintains the show’s quirky charm while delving deeper into themes of doppelgangers and self-reflection.
The series continues to follow Charles, theater director Oliver Putnam (Martin Short), and millennial Mabel Mora (Selena Gomez) as they tackle new murder mysteries. This season introduces a satirical twist on Hollywood, with their real-life escapades inspiring a screenplay that’s now being made into a full-blown film. Unbeknownst to them, producer Bev Mellon (Molly Shannon) is just waiting for their approval to start filming.
Bev’s pitch for a Hollywood adventure takes the gang to Los Angeles in the season premiere, though fans hoping for a return to Martin’s 1991 classic “L.A. Story” might be disappointed. For those who relish the comforting familiarity of “Only Murders in the Building,” there’s good news: as summer fades and sweater weather approaches, we’re back in the Arconia, the grand Upper West Side residence that’s like its own universe. (The only West Coast these New Yorkers acknowledge is the Hudson River.)
This season brings fresh intrigue with a new cast of showbiz characters. The Arconia’s long-forgotten annex across the street, indicated by a bullet hole through Charles’ window, introduces an eccentric array of suspects. The latest additions include the mysterious eyepatch-wearing Stink Eye Joe (Richard Kind), a reclusive film professor (Griffin Dunne), and a Christmas-obsessed fitness influencer (Kumail Nanjiani, whose physique echoes his post-Marvel roles). Meanwhile, Mabel, still without a permanent home, begins squatting in an empty apartment that might just be a crime scene.
Only Murders in the Building Season 4 (Hulu) Trailor :-
The addition of the “Westies” brings a fresh dynamic to the show, but it’s the film within Season 4 that provides a deeper focus and emotional resonance not seen since the first season. Beyond the meta humor and nods to this very publication, the season shines with cameos from Eugene Levy, Zach Galifianakis, and Eva Longoria playing exaggerated versions of themselves, all vying to understand their upcoming roles in the movie.
Charles becomes increasingly convinced that Sazz’s death was an unintended consequence of an attack meant for him, adding a poignant layer to the story. This belief leads to engaging explorations of the stunt community and meaningful reflections on personal legacy and identity.
“Is that really me?” Charles wonders in his opening voiceover, contemplating the impact of seeing a version of himself on screen. Oliver grapples with feelings of inadequacy, fearing that Galifianakis views him as dull and insignificant, exacerbated by his insecurities about girlfriend Loretta’s rising fame. Mabel is troubled by being perceived as a jobless drifter.
Unlike previous seasons, the focus shifts away from the podcast and towards individual narratives each episode. The season expertly balances themes of loneliness and self-discovery with moments of whimsical charm, like naming an adorable piglet George Swinebrenner. It’s a masterful mix of melancholy and humor, keeping the comedy grounded even when dealing with grim subjects.
