One Night in Miami Review

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On a fictional night in February 1964, four iconic black American men find themselves brought together by fate. They engage in discussions about rampant racism, the civil rights movement, their roles in it, and the events that would shape the history of modern America.

  • Release Date                15 January 2021
  • Language                      English
  • Genre                            Drama
  • Duration                       1h 54min
  • Cast                              Kingsley Ben Adir, Eli Goree, Aldis Hodge, Leslie Odom Jr.
  • Director                         Regina King
  • Writer                            Kemp Powers
  • Cinematography        Tami Reiker
  • Producer                      Jess Wu Calder, Keith Calder, Jody Klein
  • Production                    Snoot Entertainment, ABKCO Films, Snoot                                                                 Entertainment
  • Certificate                      18+

The prospect of four men convening in a Miami hotel room to discuss and debate issues affecting their lives might seem mundane, but in reality, it proves to be captivating. Especially when those four men are Cassius Clay (Eli Goree), Malcolm X (Kingsley Ben-Adir), Sam Cooke (Leslie Odom Jr.), and Jim Brown (Aldis Hodge). Adapted from Kemp Powers’ screenplay, which originated from his own one-act stage play of the same name, ‘One Night in Miami’ showcases Regina King’s directorial prowess from the outset. The film opens with an electrifying scene in the boxing ring featuring the underdog Cassius Clay, who later became the legendary Muhammad Ali.

Set on February 25, 1964, Clay celebrates becoming the heavyweight boxing champion of the world by spending the night in a hotel room with political activist Malcolm X, NFL star Jim Brown, and singer-musician Sam Cooke. Before delving into the verbal exchanges among the four men, the film provides glimpses into their individual experiences, adding depth to the narrative and breaking the visual monotony of the predominantly indoor setting.

As the men engage in conversation, King’s fictionalized account skillfully highlights their inner conflicts. Despite being celebrated figures in sports, music, and social activism, they grapple with real existential struggles. The film’s strength lies in the unrestricted yet restrained performances and the witty, impactful dialogues, replete with memorable quotes.

Gathered at the Hampton House Motel—a black tourist destination in Miami—the men, instead of reveling in Clay’s victory, engage in a heated debate over vanilla ice cream. Despite the lively banter, they remain acutely aware of their harsh reality and the inevitable fates awaiting some of them.

In terms of performances, all four actors seamlessly embody their complex characters, forming a cohesive unit. Despite their characters’ differences, the actors portray them as a unified team. Decades later, their discussions on fitting in and inclusion remain relevant, highlighting the enduring significance of the #BlackLivesMatter movement.

Regina King’s directorial debut, while visually confined and not aimed at mass entertainment, initiates a dialogue that transcends boundaries. Through her adept storytelling, King presents a nuanced exchange among influential men of color who shaped America’s cultural and civil rights movements.

Despite the sluggish pacing, the film’s saving grace lies in its character backstories, providing depth to the protagonists’ motivations. Ram delivers a standout performance as both Siddharth and Aditya, captivating viewers with his portrayal of contrasting personalities. Malvika Sharma shines in her role, though the film’s depiction of violence against women for revenge purposes remains problematic.

While RED has its moments and boasts a talented cast, its sluggish screenplay may deter some viewers. It’s worth considering if you enjoy a blend of romance, thriller, and masala, but be prepared for a slow burn.  

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