Murder in Mahim 2024 Story, Review, Release Date, Trailer, Songs, Cast -

Spread the love

Murder in Mahim 2024 Story :-

Taking place amidst the grim backdrop of a brutal murder at Mahim station, the narrative unfolds with Peter’s entanglement in this sinister investigation. Tensions escalate dramatically when his own son, Sunil, comes under suspicion in the case.

Murder in Mahim 2024 Release Date, Trailer, Songs, Cast

Release Date	10 May 2024
Language	Hindi
Genre	Mystery
Episode	8
Cast	Vijay Raaz, Ashutosh Rana, Shivani Raghuvanshi, Shivaji Satam, Divya Jagdale, Smita Tambe, Rajesh Khattar, Benafsha Soonawalla
Director	Raj Acharya
Writer	Mustafa Neemuchwala, Udai Singh Pawar
Producer	Ajit Andhare
Production	Jigsaw Pictures, Tipping Point Films
Certificate	16+

Murder in Mahim 2024 Review :-

‘Murder in Mahim’ presents a riveting investigative drama, captivating viewers with its intricate plotline and keeping them enthralled until the climactic finale. Beyond its suspenseful narrative, the series serves as a poignant commentary on the struggles faced by the LGBTQ community, shedding light on the discrimination and societal prejudices they endure. Through its compelling storytelling, the show vividly portrays the challenges and stigma encountered by individuals within the community.

However, the depth of the series extends beyond its social commentary, delving into the complexities of familial relationships, particularly focusing on the nuanced dynamics between a father and his son. As a retired journalist grapples with his own inner conflicts upon suspecting his son’s sexuality, the series artfully navigates themes of acceptance and understanding within the family unit.

Adapted from Jerry Pinto’s novel, ‘Murder in Mahim’ follows the journey of Shivajirao Jende (Vijay Raaz), a principled police officer investigating a series of murders targeting young men from the LGBTQ community in Mumbai’s Mahim locality. The investigation, centered around a secluded restroom at Mahim railway station, takes unexpected turns, complicating progress. Desperate for a breakthrough, Jende seeks assistance from Peter Fernandes (Ashutosh Rana), a retired crime journalist with a troubled history involving Jende’s father. As Peter grapples with his conflicted feelings about his own son’s sexuality, the investigation challenges Jende and his allies to confront their pasts and biases in pursuit of justice.

While most episodes maintain a 40-minute runtime, the series sustains an engaging pace throughout. With its brisk narrative and an abundance of thrilling moments, viewers are drawn into a captivating exploration of human nature and societal complexities. Packed with revelations and twists, the storyline keeps audiences deeply invested in the characters from start to finish. Particularly noteworthy is the authentic portrayal of the father-son dynamic between Vijay Raaz and Shivaji Satam’s characters, which captures the essence of a middle-class family with remarkable depth. Ashutosh Rana’s portrayal skillfully embodies the universal conflict experienced by fathers when sensing something amiss with their sons.

The series’ strength lies in its talented cast, many of whom imbue their characters with sincerity. Led by Vijay Raaz and Ashutosh Rana, the actors fully inhabit their respective roles, with Raaz delivering a standout performance as Shivajirao Jende. He adeptly portrays the inner conflicts and struggles of a policeman facing overwhelming odds. Ashutosh Rana’s restrained portrayal adds authenticity to his character, enhancing the overall impact. Shivani Raghuvanshi’s nuanced performance as Firdaus Rabbani further elevates the series, showcasing her talent once again. Additionally, standout supporting performances, such as Rajesh Khattar’s portrayal of Leslie Sequeira, contribute to the series’ brilliance, with Khattar delivering a fabulous performance in his role.

The series also sheds light on the persistent challenges encountered by the LGBTQ+ community, highlighting that despite the repeal of Article 377, meaningful change remains elusive. The portrayal of a dingy restroom at a Mumbai local station as a supposed ‘safe haven’ for these individuals raises pertinent questions about societal acceptance. However, the series is not without its flaws. One such misstep occurs with Peter Fernandes’ sudden appearance for an interview with Himali, which feels somewhat out of place and disconnected from reality. Additionally, the plot occasionally veers off course by focusing on elements unrelated to the central murders, diverting viewers’ attention. Despite these shortcomings, the series excels in its brisk pace, gripping mystery, and exploration of human relationships, making it a compelling watch.