Moonfall Story:-
In the sprawling narrative of “Moonfall,” an ominous and inexplicable force has ensnared the moon, wresting it from its customary orbit and setting it on a collision course with Earth. The resulting cataclysmic threat looms large over humanity, precipitating a race against time to avert impending doom. At the heart of this gripping tale, an unlikely trio emerges, comprising a seasoned NASA executive, a disgraced astronaut grappling with personal demons, and a fervent conspiracy theorist whose wild notions may hold the key to salvation.
Movie Ratings
| Release Date | 11 February 2022 |
| Language | English |
| Genre | Action, Adventure, Sci-Fi |
| Duration | 2h 5min |
| Cast | Halle Berry, Patrick Wilson, John Bradley, Michael Peña, Charlie Plummer, Kelly Yu, Donald Sutherland, Eme Ikwuakor, Carolina Bartczak, Maxim Roy, Stephen Bogaert, Azriel Dalman |
| Director | Roland Emmerich |
| Writer | Roland Emmerich, Harald Kloser, Spenser Cohen |
| Cinematography | Robby Baumgartner |
| Music | Thomas Wander, Harald Kloser |
| Producer | Harald Kloser, Roland Emmerich |
| Production | Huayi Brothers International, Tencent Pictures, Huayi Tencent Entertainment International, Centropolis Entertainment, Street Entertainment |
| Certificate | 13+ |
Central to the storyline is a radical conjecture positing the moon as a monumental construct engineered by ancient civilizations, harnessing advanced technologies such as artificial intelligence. As the plot unfolds, the audaciousness of this premise strains the boundaries of plausibility, challenging the cast to imbue their characters with conviction amidst the fantastical events unfolding around them.
Yet, the narrative’s Achilles’ heel lies in its weak script, which renders the unfolding drama laborious and repetitive. Each high-octane action sequence, while undeniably pulse-pounding, fails to resonate authentically, leaving audiences detached from the gravity of the imminent peril.
Renowned director Roland Emmerich, renowned for his cinematic spectacles depicting apocalyptic scenarios, revisits familiar tropes of disaster cinema, featuring a select group of protagonists striving valiantly to forestall global catastrophe. However, the introduction of a subplot involving rogue alien technology falls short of captivating viewers, veering perilously close to the realm of absurdity.
Performance-wise, the ensemble cast grapples with varying degrees of success in breathing life into their respective roles. Halle Berry’s portrayal of a stalwart NASA executive struggles to exude the requisite gravitas, while Patrick Wilson’s depiction of a disillusioned astronaut feels somewhat lacking in depth. John Bradley injects moments of levity into the narrative with his portrayal of a conspiracy-minded blogger, although his character’s outlandish theories occasionally strain credulity. Michael Peña’s portrayal of a billionaire adds little to the overarching narrative, serving primarily as a distracting caricature.
Despite the monumental efforts invested in its production, “Moonfall” ultimately falters in its execution, failing to transcend the convoluted nature of its premise. While punctuated by sporadic moments of exhilarating spectacle, these fleeting thrills prove insufficient to salvage the film’s overall trajectory, consigning it to the annals of forgettable lunar misadventures.
