Maareesan Story :-
A former convict befriends an elderly man with Alzheimer’s to swindle his fortune, but their journey together leads to unforeseen twists.
Maareesan Release Date, Trailor, Songs, Cast :-
| Release Date | 25 July 2025 |
| Language | Tamil |
| Genre | Comedy, Thriller |
| Duration | 2h 34min |
| Cast | Vadivelu, Fahadh Faasil, Kovai Sarala, Vivek Prasanna, Sithara, P. L. Thenappan, Livingston, Renuka, Saravana Subbiah, Krishna, Haritha, Telephone Raja, Srinivas |
| Director | Sudheesh Sankar |
| Writer | V. Krishna Moorthy |
| Cinematography | Kalaiselvan Sivaji |
| Music | Yuvan Shankar Raja |
| Producer | R. B. Choudary |
| Production | Super Good Films |
| Certificate | 13+ |
Maareesan Review :-
Some cons are straightforward—find the target, earn their trust, and empty their pockets. But Daya (Fahadh Faasil) chose the wrong old man to swindle—or perhaps the right one, if you see it as vigilante justice wrapped in cunning manipulation.
Fresh out of Palayamkottai jail, Daya crosses paths with Velayudham (Vadivelu), who seems to suffer from Alzheimer’s and mistakenly believes Daya is his son Kumar. With 25 lakhs waiting in the old man’s bank account, Daya plays along, enduring tantrums and wrong ATM PINs through a slow-moving first half that tests patience more than builds suspense. The story drags as we watch their aimless journey—crossing highways, hitting goats, fumbling with bank cards—while the film searches for its rhythm.
After the interval, Maareesan drops its con-game façade and shifts into a provocative vigilante thriller, bluntly delivering its uncompromising stance on justice. The film doesn’t question whether pedophiles deserve death—it serves it cold. This sudden tonal leap from a sluggish setup to moral reckoning is jarring, but it at least injects life into the narrative. Whether you find this refreshing or unsettling likely reveals more about your perspective than the film itself.
What truly resonates is watching these two broken men circle each other—Daya, a thief unexpectedly discovering a code of ethics and seeing in Velayudham the father he never had; and Velayudham, channeling his grief into cold, calculated revenge. Neither is truly virtuous, yet both evoke a surprising sympathy. The film brushes against these moral gray zones without fully exploring them—does tragedy justify becoming judge and executioner? Can a thief really preach morality?
Vadivelu continues his strong comeback from Maamannan, earning praise for stepping beyond his comedic roots. His performance here hints at an actor ready to take on more substantial dramatic roles, even as the occasional comic beat nods to his past brilliance. Fahadh Faasil, steady as always, makes Daya’s transformation feel genuine, despite some narrative shortcuts in the script.
Maareesan Trailor :-
The ending slips into a clichéd trap where the cops show up at the perfect moment, neatly wrapping everything up for a convenient resolution. After all the moral complexity, this tidy police intervention feels almost disrespectful.
Final Thought
Maareesan shines when it embraces its contradictions—two criminals forging a bond through their fractured moral compasses, each rationalizing their actions from different perspectives.
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