Locke & Key Season 3 Story:-
One of the most exasperating tropes in television and film is the portrayal of unintelligent characters. Over the years, horror films have been notorious for this, culminating in parodies like “Scary Movie.” Similarly, comedies often employ this trope, as seen in classics like “Dumb and Dumber.”

Movie Ratings
Release Date | 10 August 2022 |
Language | English |
Genre | Drama, Fantasy, Horror |
Episodes | 10 |
Creator | Meredith Averill, Aron Eli Coleite, Carlton Cuse |
Cast | Darby Stanchfield, Connor Jessup, Emilia Jones, Jackson Robert Scott |
Cinematography | Tico Poulakakis, Colin Hoult, Dylan Macleod, Michael Marshall |
Music | Torin Borrowdale |
Producer | Ra’uf Glasgow, Nishpeksh Mehra, Carlton Cuse, Meredith Averill, Lindsey Springer, Tim Southam, Michael Morris, Joe Hill, John Weber, Frank Siracusa, Aron Eli Coleite, Chris Ryall, Ted Adams, Lydia Antonini, Andy Muschietti, Barbara Muschietti, David Alpert, Rick Jacobs |
Production | Genre Arts, Hard A Productions, Circle of Confusion, IDW Entertainment |
Certificate | 18+ |
However, there are instances, such as in season 3 of Locke and Key, where this trope is mishandled, placing characters reminiscent of “Dumb and Dumber” in the midst of a serious fantasy drama. The resulting lack of logical reasoning becomes the root cause of every issue and obstacle encountered by the characters.

Watching this unfold can be a challenging experience, as viewers find themselves rolling their eyes and questioning the characters’ decisions. It becomes evident that whatever charm the show once possessed has dissipated by this third season.
While foolish characters can sometimes offer entertainment value as a guilty pleasure, Locke and Key fails even in this regard. Instead, the season is fraught with contradictions, gaping plot holes, contrivances, and characters who exhibit no growth or development over the course of the narrative.
Without delving into spoilers, one particularly egregious example is Bode’s character arc. Once portrayed as cute, intelligent, and curious in season 1, he transforms into one of the most vexing and grating figures in the entire series. His demeanor shifts to one of boastfulness, arrogance, and gaslighting, leaving viewers uncertain whether he is a hero or a villain.
As for the storyline, the season picks up after a recap of the events from season 2, with the Locke family striving to regain normalcy in their lives. However, the narrative quickly spirals into chaos as the main antagonist, Captain Gideon, seeks to acquire every key within Locke House by any means necessary.
Throughout the season, Bode and his companions encounter a myriad of problems, many of which are self-inflicted. Instances like Nina’s reckless use of a new key, leading to Bode’s perilous predicament, underscore the disregard for established rules and dangers associated with the keys.
Despite the potentially thrilling premise of the keys, season 3 feels lackluster and sluggish in its pacing. Certain episodes, like Duncan’s wedding, feel extraneous, while critical plot twists materialize abruptly, contributing to a disjointed narrative flow.
In the end, Locke and Key’s third season fails to live up to its predecessors. While the series may offer brief moments of visual appeal, they are overshadowed by the myriad flaws plaguing the overall storytelling and character development. It’s a disappointing conclusion to a once-promising series, leaving viewers with a bitter aftertaste and a realization of its shortcomings, particularly in comparison to the earlier seasons.