Lantrani Story :-
“Lantrani” is an anthology comprising three stories by nationally acclaimed directors, offering a satirical lens on the myriad social issues plaguing rural India.
Movie Ratings
| Release Date | 9 February 2024 |
| Language | Hindi |
| Genre | Comedy, Drama |
| Duration | 1h 39min |
| Cast | Rajesh Awasthi, Jitendra Kumar, Boloram Das, Johny Lever, Nimisha Sajayan, Jisshu Sengupta, Bhagwan Tiwari, Sanjay Mahanand |
| Director | Gurvinder Singh, Bhaskar Hazarika, Kaushik Ganguly |
| Writer | Durgesh Singh |
| Cinematography | Sandeep Yadav, Appu Prabhakar, Riju Das |
| Music | Indraadip Dasgupta |
| Producer | Pranay Garg, Piyush Gupta |
| Production | Neeljai Films |
| Certificate | U/A |
The anthology kicks off with “Hud Hud Dabangg,” a hard-hitting narrative directed by Kaushik Ganguly and written by Durgesh Singh. The story revolves around a policeman, portrayed by Johnny Lever, who receives a significant assignment after 25 years of desk duty. Armed with a loaded gun and a single bullet, he embarks on a journey to escort a prisoner to court. However, unexpected events along the way compel him to reassess his views on the prisoner and the reasons behind his incarceration. This segment stands out as the strongest among the three, blending entertainment with relevance and depth. Lever delivers a stellar performance, seamlessly embodying his character’s inherent goodness and humor, while Jisshu Sengupta’s portrayal adds depth to the narrative.
Next up is “Dharna Mana Hai,” directed by Gurvinder Singh, featuring Jitendra Kumar and Nimisha Sajayan. Sajayan portrays a woman from a scheduled caste, elected as a first-time member of the Sarpanch, but devoid of real authority. To combat prejudice, she and her husband embark on a silent protest outside the DDO office. Singh crafts a nuanced satire with subtle writing, and the lead actors excel in their roles, conveying powerful messages without uttering a single word. While the pacing may seem slow, the segment successfully maintains viewer engagement.
The anthology concludes with “Sanitized Samachar,” directed by Bhaskar Hazarika, portraying a defunct local news channel grappling with the challenges posed by the COVID-19 pandemic. The channel’s star anchor is quarantined with COVID, and financial constraints threaten the staff’s livelihood. However, a glimmer of hope emerges with the arrival of a sponsor offering a revolutionary hand sanitizer named “Covinaash.” Hazarika cleverly critiques manipulated media, fake news, and the commercialization of the news industry. Despite its entertaining premise, this segment falls short in its conclusion.
What sets “Lantrani” apart is its exploration of diverse issues within the rural landscape of India, portrayed with depth and authenticity. While delivering powerful messages, the anthology avoids preachiness, offering instead a thought-provoking narrative. The cinematography and production design skillfully capture the rustic ambiance of rural settings. Overall, “Lantrani” presents a compelling blend of storytelling, shedding light on the harsh realities of societal systems that persist in rural India.
Also Read Movie Review :- Mirg 2024