Heer Express Story :-
Heer Walia steps in to run an Indian restaurant in London, determined to uphold her mother’s legacy. But her dream soon becomes a test of resilience as she faces greed, sabotage, and simmering family tensions that threaten to tear everything apart.
Heer Express Release Date, Trailor, Songs, Cast :-
Release Date | 12 September 2025 |
Language | Hindi |
Genre | Drama |
Duration | 2h 22min |
Cast | Sanjay Mishra, Ashutosh Rana, Gulshan Grover, Amanda Jane York, Meghna Malik, Sarah Lockett, John Harpley |
Director | Umesh Shukla |
Writer | Sanjay Grover, Divyanshu Rawat, Umesh Shukla |
Cinematography | Sameer Arya, Haresh Bhanushali |
Music | Tanishk Bagchi |
Producer | Mohit Chhabra, Sanjay Grover, Umesh Shukla, Ashish Wagh |
Production | Creative Strokes Productions, Divisa Entertainment, Indo-UK Film Company, Merry Go Round Studios |
Certificate | 13+ |
Heer Express Review :-
Heer Express is the kind of film that arguably should never have made it past the scripting stage. Disguised as “clean family entertainment,” it delivers a bland, cliché-ridden story that feels outdated and uninspired. What might have resonated with audiences a decade ago now falls flat in an era where viewer expectations have evolved significantly. The lifeless screenplay only adds to the film’s overall lack of energy. While it follows Heer Walia’s journey from Punjab to London, the narrative lacks the spark or momentum to make that journey feel meaningful—or even mildly engaging.
The story centers on Heer Walia (Divita Juneja), who is raised by her loving uncles—played by Gulshan Grover and Sanjay Mishra—after losing her mother as a newborn. When Olivia (Sarah Lockett), an impressed foreign diner at their restaurant, offers Heer the opportunity to manage her Indian restaurant in London, Heer accepts—on the condition that the eatery be named after her late mother.
In London, Heer begins overseeing the restaurant and meets Olivia’s husband, TJ (Ashutosh Rana). However, trouble brews when TJ’s other ventures start collapsing due to his son’s poor management. With pressure mounting, Heer is given just a month to turn the restaurant around. Matters worsen when TJ’s son resorts to sabotage by sending goons to vandalize the place. Amid the chaos, a shocking revelation surfaces—TJ is actually Heer’s biological father.
Heer Express piles on every cliché in the book—rolling fields of Punjab, dhol beats at every Punjabi cue, over-the-top yet kind-hearted relatives, long-lost family ties, and a dose of patriotism. But rather than feeling vibrant or nostalgic, it all comes off as tired and formulaic. The screenplay occasionally hints at cleverness, but the plot twists feel contrived and overly scripted. Despite touching on themes like personal struggle, romance, and family values, none of it lands with emotional weight or lasting impact. The film’s biggest weakness is its predictability—you can see every obstacle and its resolution coming from a mile away. Even its most heartfelt moments feel like boxes being ticked, lacking genuine surprise or emotional depth.
Heer Express Trailor :-
The film’s only saving grace lies in its performances. Debutante Divita Juneja makes a promising start, bringing a spirited energy to Heer that occasionally lifts the film above its otherwise lackluster material. Prit Kamani delivers a confident turn as Ronny, Heer’s quiet admirer, though the script gives him little to do beyond playing a background presence. Ashutosh Rana brings sincerity to his role and is most effective when he underplays it. Unfortunately, the real letdown comes from veterans Gulshan Grover and Sanjay Mishra. Cast as Heer’s uncles, their forced humor and lackluster banter miss the mark, ultimately weighing the film down rather than adding levity.
Final Thought
Then comes the climax, where the film takes cinematic liberties to absurd new heights. From the commentary box at an equestrian competition, Ronny suddenly decides it’s the perfect moment to read out a letter from Olivia. By this point, the audience is less invested in the competition and more focused on making a swift exit. Heer Express ultimately offers “clean entertainment” only if your idea of fun is being stuck on a slow-moving cinematic train that never gains momentum. Given that this is from Umesh Shukla—the director behind OMG: Oh My God! and 102 Not Out—one expected much more. Sadly, even he can’t seem to steer this journey clear of the overwhelming pile of clichés.
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