HAQ Story :-
When Shazia’s lawyer husband divorces her, she decides to fight back, turning heartbreak into a courtroom battle. What starts as personal betrayal soon grows into a larger debate about faith, justice, and what’s right.
HAQ Release Date, Trailor, Songs, Cast :-
| Release Date | 7 November 2025 |
| Language | Hindi |
| Genre | Drama |
| Duration | 2h 16min |
| Cast | Emraan Hashmi, Yami Gautam |
| Director | Suparn Varma |
| Writer | Reshu Nath |
| Cinematography | Pratham Mehta |
| Producer | Harman Baweja |
| Certificate | 13+ |
HAQ Review :-
Haq tells a story that feels both timely and essential. Inspired by true events, the film offers a fictionalized, dramatized take on Bano: Bharat Ki Beti, the book by Jigna Vora. It serves as an emotionally powerful retelling of the historic Shah Bano case that shook India in the 1980s—tracing the landmark maintenance lawsuit in which the Supreme Court ruled in favor of divorced Muslim women.
Director Suparn S. Varma’s vision is unmistakable: to show how personal stories can mirror deeper social truths. The result is a film that feels urgent yet deeply moving. With Yami Gautam and Emraan Hashmi delivering strong, grounded performances, Haq stands out as a rare social drama—one that remains engaging and heartfelt without ever turning preachy. Crafted with empathy, restraint, and quiet conviction, it’s a story that lingers long after the credits roll.
Set in the 1970s and ’80s, Haq unfolds the story of Shazia Bano (Yami Gautam), who lives in Aligarh with her husband, Abbas Khan (Emraan Hashmi), a respected lawyer. After years of marriage and three children, Shazia’s world falls apart when Abbas returns from Pakistan with a second wife, Saira (Vartika Singh). Humiliated and heartbroken, she faces further devastation when Abbas ends their marriage with the three irrevocable words—talaq, talaq, talaq.
Left to fend for herself with no financial support, Shazia turns to the courts in search of justice. Standing firmly beside her is her father, Maulvi Basheer (Danish Husain), whose quiet strength anchors her fight. As the case reaches the Supreme Court, it transforms into more than just a legal battle—it becomes a moral reckoning that echoes the voices of countless women across the nation. Each scene feels authentic and deeply human, pulling you into Shazia’s world of quiet defiance, pain, and resilience.
At its heart, Haq is a simple story told with remarkable sincerity—and it’s this very simplicity that becomes its greatest strength. The narrative never overcomplicates itself or leans on unnecessary melodrama, unfolding instead in a straightforward and honest manner. Director Suparn S. Varma keeps the focus firmly on the emotional core, ensuring that the human cost behind the legal and ideological battles remains front and center.
Much of the film’s clarity and cohesion comes from Reshu Nath’s writing, which seamlessly blends story, dialogue, and screenplay. The film also beautifully captures the texture of Western Uttar Pradesh, with dialogues that feel authentic and rooted in the local milieu. Every frame, every line, is deliberate, creating an experience that is both immersive and deeply affecting.
HAQ Trailor :-
Haq truly shines through its performances. Yami Gautam delivers one of her finest performances to date, embodying Shazia’s pain, courage, and dignity with remarkable poise. She commands every scene, offering a portrayal that is both understated and unforgettable. Emraan Hashmi complements her perfectly, bringing depth to Abbas with a restrained, morally ambiguous performance rather than overt villainy—his quiet anger making the character all the more compelling. The courtroom exchange toward the climax, where Yami and Emraan confront the Supreme Court judges, crackles with raw intensity and conviction. Vartika Singh as Saira is pleasant, though slightly underused, while Danish Husain brings warmth and gravitas as Maulvi Basheer. Sheeba Chaddha, portraying Bela, Shazia’s steadfast lawyer, adds further depth to the film, lending weight to every scene she appears in. Together, the ensemble ensures that every emotional beat lands with impact, making the story resonate long after the credits roll.
Final Thought
It takes real courage to make a film like Haq in an era dominated by action spectacles, horror, and comedies. Suparn S. Varma directs with unwavering conviction, transforming what could have been a niche courtroom drama into a universal story about justice, faith, and dignity. Vishal Mishra’s songs may not linger long after the credits, but they complement the narrative and add subtle emotional depth. What truly sets Haq apart is its refusal to be confined to a community-specific story. Instead, it becomes a tale of betrayal, resilience, and hope—a film that gives voice to the voiceless, maintains its integrity, and proves that truth, told simply and sincerely, can be the most powerful form of protest.
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