Good Bad Ugly Story :-
When his son is wrongfully imprisoned for a crime he didn’t commit, a reformed gangster is forced to return to his violent past. Determined to save his son and seek vengeance, he sets out on a relentless path of retribution.

Good Bad Ugly Release Date, Trailor, Songs, Cast :-
Release Date | 10 April 2025 |
Language | Tamil |
Genre | Action, Drama, Thriller |
Duration | 2h 20min |
Cast | Ajith Kumar, Trisha Krishnan, Prabhu, Prasanna, Arjun Das, Sunil, Rahul Dev, Yogi Babu |
Director | Adhik Ravichandran |
Writer | Adhik Ravichandran, Ravi Kandasamy, Harish Manikandan |
Cinematography | Abinandhan Ramanujam |
Music | G. V. Prakash Kumar, Devi Sri Prasad |
Producer | Naveen Yerneni, Y. Ravi Shankar, Suresh Chandra, Bhushan Kumar, Krishan Kumar |
Production | Mythri Movie Makers, T-Series, T-Series Films |
Certificate | 16+ |
Good Bad Ugly Review :-
With Good Bad Ugly, director Adhik Ravichandran delivers an unapologetically loud and chaotic fan celebration for Ajith Kumar, and it’s still largely entertaining. For Ajith’s loyal fans, the film is a non-stop tribute, packed with references to the superstar’s earlier hits in nearly every scene. Adhik’s style isn’t groundbreaking—it’s reminiscent of Karthik Subbaraj’s approach in Petta, though the latter’s nods were more subtle in comparison to this film’s bold, in-your-face approach. But regardless, the result is the same: fans are thoroughly entertained and can’t get enough of it.

The downside, however, is that for those who aren’t fans of Ajith or those seeking a deeper, more substantial story, the film may leave them wondering what all the hype is about, especially if they’re not well-versed in Tamil cinema’s pop culture references.
The real concern, though, is that the overwhelming fan response might set a troubling precedent. As a result, future filmmakers working with top stars could prioritize fan service above creating compelling, well-rounded scripts that resonate with a broader audience.

In the end, Good Bad Ugly is undeniably an Ajith-centric spectacle, and it’s clear the actor thoroughly enjoyed revisiting iconic moments from his past blockbusters. In his recent films, particularly Vidaamuyarchi, Ajith had taken a more restrained approach, dialing down the hero glorification. While this move earned him some appreciation from a broader audience, it left many of his fans feeling disappointed. With this film, it seems Ajith is making a conscious effort to course-correct, bringing back the larger-than-life persona that his fans adore.
Good Bad Ugly Trailor :-
Final Thought
Adhik seems to have found the perfect formula for this one. His filmmaking style has always been polarizing—you either love it or you don’t, with little room for compromise. But there’s no denying that he brings a unique voice to the table, especially within the mass masala genre. His approach is loud (in a completely different way than directors like Hari) and visually distinct (unlike Karthik Subbaraj). It’s cinema built on maximalism, constantly breaking the fourth wall, laden with nostalgic references, and designed with one clear purpose: to deliver a high every few minutes. If mass masala is the genre, then Adhik’s is pure “max masala!”
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