Bhakshak Story:-
The narrative revolves around Vaishali Singh (played by Bhumi Pednekar), an independent TV reporter, and her sole colleague Bhaskar (portrayed by Sanjay Mishra), who ignite controversy by delving into a human trafficking racket in Bihar, aiming to unearth the truth behind the exploitation of minor orphan girls.
Movie Ratings
| Release Date | 9 February 2024 |
| Language | Hindi |
| Genre | Drama |
| Duration | 2h 14min |
| Cast | Bhumi Pednekar, Sanjay Mishra, Sai Tamhankar, Aditya Srivastav, Durgesh Kumar, Danish Iqbal, Gulista Alija |
| Director | Pulkit |
| Writer | Jyotsana Nath Pulkit |
| Cinematography | Kumar Saurabh |
| Producer | Gauri Khan, Gaurav Verma |
| Production | Red Chillies Entertainment |
| Certificate | 18+ |
In their quest for justice, the two-member media team endeavors to rescue young girls from an abusive shelter home owned by the influential Bansi Sahu (depicted by Aditya Srivastava) in Munawwarpur, Bihar. However, the rampant corruption within the state’s law enforcement hinders their efforts, leaving them vulnerable to political intimidation, threats, and societal pressures that discourage interference in such matters.
Director Pulkit endeavors to shed light on the valor of unsung heroes from small towns who bravely confront authority despite their perceived naivety. The film confronts the growing apathy prevalent in an increasingly disconnected social media landscape.
While the subject matter is compelling and the lead performances earnest, the execution suffers from a melodramatic hangover reminiscent of 90s cinema. The incessant repetition of Bansi Sahu’s name throughout the film fails to establish him as the menacing figure he is purported to be, undermining the intended tension. Furthermore, the investigative-crime thriller lacks the requisite intrigue and urgency, resulting in a narrative that feels exhausting rather than gripping. The characters fail to evoke emotional investment from the audience, and even Vaishali’s supportive husband is underutilized in expressing his concerns.
The film’s attempt to shift the burden of evidence-gathering solely onto journalists overlooks the collaborative nature of law enforcement and responsible journalism. Bhumi Pednekar delivers a commendable performance, embodying a fearless spirit that challenges patriarchy, albeit more effectively than the writing itself. Sanjay Mishra’s talent feels underutilized, while Aditya Srivastava’s portrayal as the antagonist lacks conviction. Sai Tamhankar’s character, though pivotal, suffers from underdeveloped writing.
Ultimately, “Bhakshak’s” portrayal of the fight for justice feels protracted and oversimplified. While the plight of the trapped girls evokes empathy, the film fails to ignite the necessary passion in its audience.
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