Attack: Part 1 Story :-
As the Parliament faces a dire threat, Arjun Shergill, India’s inaugural super soldier, is entrusted with the formidable task of thwarting terrorists, rescuing the Prime Minister, and preventing the detonation of a devastating dirty bomb aimed at annihilating Delhi. Will Arjun prevail in his perilous mission?
Movie Ratings
| Release Date | 1 April 2022 |
| Language | Hindi |
| Genre | Action |
| Duration | 1h 45min |
| Cast | Jacqueline Fernandez, Rakul Preet Singh, John Abraham, Prakash Raj, Ratna Pathak Shah, Kiran Kumar |
| Director | Lakshya Raj Anand |
| Writer | Lakshya Raj Anand, Sumit Batheja, Vishal Kapoor |
| Cinematography | William Humphris, P. S. Vinod, Soumik Mukherjee |
| Music | Shashwat Sachdev |
| Producer | Jayantilal Gada, John Abraham, Ajay Kapoor, Bhaumik Gondaliya |
| Production | JA Entertainment, AK Productions, Pen India Limited |
| Certificate | 16+ |
In “Attack,” the directorial debut of Lakshya Raj Anand, crafted under the creative vision of John Abraham, a unique amalgamation of elements unfolds. Arjun Shergill (played by John Abraham) is a character marred by irreversible paralysis and a fractured love story. His trajectory takes a transformative turn when a governmental figure, Subramaniam (portrayed by Prakash Raj), advocates for his participation in a groundbreaking experiment merging artificial intelligence with human capability, aiming to fashion him into an extraordinary operative. Amidst this backdrop, a terrorist crisis erupts at the heart of the nation’s governance, thrusting Arjun into a race against time to avert catastrophe.
“Attack: Part One” introduces a narrative universe poised on the brink of transformation, both in ethos and methodology. Anand ingeniously interweaves artificial intelligence as a pivotal character within the storyline, warranting commendation for his innovative approach.
The film excels in its tight editing, maintaining a brisk pace throughout its two-hour runtime. Anchored by John’s portrayal, the narrative intricately explores the disruption of his equilibrium and subsequent resurgence fueled by personal anguish. However, while John’s character receives meticulous attention, peripheral personas such as those portrayed by Ratna Pathak Shah and Rajit Kapur warrant greater depth in their development.
Notably, “Attack” sidesteps the clichés and sentimentalism often associated with patriotic cinema. The absence of bombastic dialogues and extravagant musical sequences lends authenticity to the narrative. Yet, amidst the seriousness, moments of unintended humor offer respite, testament to the script’s organic construction. The film’s action choreography, complemented by seamless visual effects, imbues the proceedings with an immersive quality reminiscent of combat games.
John Abraham delivers a commendable performance, portraying Arjun Shergill with a sense of control and conviction. His portrayal eschews the exaggerated machismo often associated with action roles, showcasing a nuanced portrayal of a soldier grappling with adversity.
However, “Attack” is not without its flaws. The denouement feels somewhat rushed, while the overarching threat posed by the terrorist outfit feels familiar within the realm of cinematic narratives. Furthermore, the physical transformation of John’s character from paralysis to agility lacks verisimilitude, detracting from the film’s realism. Additionally, the film’s musical compositions are serviceable at best, failing to leave a lasting impact.
In conclusion, “Attack: Part One” delivers an engaging cinematic experience from beginning to end. While its central narrative arc is compelling, further exploration of supporting characters would have enriched the overall viewing experience. Nevertheless, Anand’s directorial debut succeeds in captivating audiences with its innovative premise and high-octane action sequences, setting the stage for future installments to delve deeper into its narrative universe.
