Abigail Story:- Following the abduction of the ballerina daughter of a crime lord, a group of criminals take shelter in a remote mansion, unaware of the true identity of the child they have ensnared. A mix of gore and humor that subverts a clichéd premise.
Movie Ratings
Realease Date | 26 April 2024 |
Language | Hindi |
Genre | Horror, Thriller |
Duration | 1h 50min |
Cast | Melissa Barrera, Alisha Weir, Dan Stevens, Kathryn Newton, Kevin Durand, Angus Cloud, William Catlett, Giancarlo Esposito |
Director | Matt Bettinelli-Olpin, Tyler Gillett |
Writer | Guy Busick, Stephen Shields |
Cinematography | Aaron Morton |
Music | Brian Tyler |
Producer | William Sherak, Paul Neinstein, James Vanderbilt, Tripp Vinson, Chad Villella |
Production | Project X Entertainment, Radio Silence Productions, Wild Atlantic Pictures |
Certificate | A |
Set against the eerie backdrop of a sprawling mansion, the film introduces us to what seems like a straightforward scenario: a group of disparate criminals abduct a young girl in hopes of a big payout. However, as the story unfolds, it reveals a layered and darker narrative: the apparent victim, a young girl named Abigail, is anything but helpless. Directed by the duo Matt Bettinelli-Olpin and Tyler Gillett, ‘Abigail’ reinvigorates the horror-thriller genre with a compelling twist on the classic kidnapping plot. The film would arguably be far more effective if the twist were hidden from its marketing, but ‘Abigail’ is still a compelling watch.
Much of that credit goes to the ‘little girl’ Abigail. Alisha Weir delivers a standout performance, masterfully oscillating between angelic innocence and chilling malevolence. Her balletic movements, which transition into deadly attacks, add a hauntingly beautiful dimension to her character’s ferocity. Dan Stevens excels as the mercurial ex-cop Frank, whose unpredictable nature keeps the audience on edge. Melissa Barrera’s nuanced performance as a tough yet motherly Joey adds emotional depth, portraying a conflicted figure who forms a surprising bond with Abigail. The rest of the cast also enriches the film’s dynamic by bringing their own complexities and secrets into play. The chemistry among the cast amplifies the energy, with each actor drawing on their strengths to elevate the narrative’s intensity and unpredictability.
While ‘Abigail’ excels in pushing boundaries with its graphic violence and rapid narrative shifts, these elements sometimes hamper the film’s pacing and coherence, especially in the third act. The visual style, marked by a gritty and dark aesthetic, aims to enhance the ambiance but occasionally makes it difficult to appreciate the meticulous special effects and fight choreography that are central to the film. Despite these critiques, ‘Abigail’ tactfully combines character-driven storytelling without the usual trappings of a horror thriller. It meshes sharp, witty dialogue with brutal action to keep the audience engaged and guessing. This film not only pays homage to classic horror but also carves out its niche with a blend of gore and humor that turns a clichéd premise on its head.