Vikram Story :-
In the wake of a series of gruesome murders targeting police officials, “Vikram,” helmed by Lokesh Kanagaraj, emerges as a cinematic amalgamation of espionage intrigue and high-octane action. Drawing inspiration from the iconic 1986 film starring Kamal Haasan and Kanagaraj’s own action-packed “Kaithi” from 2019, “Vikram” promises a thrilling journey into a world of masked assailants, drug lords, and relentless pursuit.
Movie Ratings
| Release Date | 3 June 2022 |
| Language | Tamil |
| Genre | Action, Thriller |
| Duration | |
| Cast | Kamal Haasan, Vijay Sethupathi, Fahadh Faasil, Narain, Chemban Vinod Jose, Kalidas Jayaram, Gayathrie, Shivani Narayanan, Anish Padmanabhan, Jaffer Sadiq, Sampath Ram, Hareesh Peradi, Shanvi Srivastava, Myna Nandhini, Maheswari, Darshanaa Vijayakumar, Suriya |
| Director | Lokesh Kanagaraj |
| Writer | Lokesh Kanagaraj, Rathna Kumar |
| Cinematography | Girish Gangadharan |
| Music | Anirudh Ravichander |
| Producer | Kamal Haasan, R. Mahendran |
| Production | Raaj Kamal Films International |
| Certificate | 16+ |
Kanagaraj’s narrative unfolds with a captivating premise: Karnan, portrayed by the legendary Kamal Haasan, finds himself at the heart of a labyrinthine conspiracy following the tragic death of his son, Prapanchan (Kalidas Jayaram). As the body count rises, a shadowy group of masked perpetrators emerges, brazenly declaring war against the system itself. In response, Police Chief Jose (Chemban Vinod Jose) assembles a covert team led by the enigmatic Amar (Fahadh Faasil) to unmask the culprits. At the center of suspicion looms Sandhanam (Vijay Sethupathi), a formidable drug lord with ambitions of dominance in the criminal underworld.
The film’s early moments are marked by an air of mystery and tension, as Amar and his team navigate a web of deception and danger. Despite Kamal Haasan’s limited screen time, his presence resonates, injecting gravitas and depth into the narrative. Kanagaraj pays homage to Haasan’s illustrious career, seamlessly weaving references to his iconic roles from “Nayakan” to “Anbe Sivam,” evoking nostalgia and excitement among fans.
Vijay Sethupathi delivers a chilling performance as Sandhanam, embodying the ruthless charisma of a true antagonist. His portrayal, reminiscent of his role in “Master,” adds layers of complexity to the conflict, elevating the stakes for our protagonists.
However, as “Vikram” progresses, it struggles to maintain the momentum established in its gripping opening acts. The revelation of Karnan’s true identity, while intriguing, leads to a narrative shift that feels somewhat predictable. The ensuing confrontations between law enforcement and criminal elements, reminiscent of Kanagaraj’s previous work in “Kaithi,” lack the same impact and urgency, failing to fully engage the audience.
To his credit, Kanagaraj attempts to inject emotional depth into the story through subplots involving Karnan’s relationship with his fallen son and the introduction of a newborn baby into the fray. While these elements add layers to the characters, they often feel underdeveloped, failing to resonate as deeply as intended.
Similarly, the character arcs of Amar and Sandhanam, while promising, suffer from predictability, with Fahadh Faasil’s portrayal feeling underutilized and Vijay Sethupathi’s performance occasionally veering into caricature.
Even the much-anticipated cameo by Suriya, teasing future installments within the “Lokesh Kanagaraj Universe,” falls short of expectations, lacking the impact and significance needed to propel the narrative forward.
Despite these shortcomings, “Vikram” remains a visually arresting and technically proficient film. The action sequences, expertly choreographed and executed, provide moments of adrenaline-pumping excitement, punctuating the narrative with bursts of intensity. Notably, a standout stunt featuring a female character played by Vasanthi serves as a testament to Kanagaraj’s commitment to diversity and representation within his cinematic universe.
In conclusion, while “Vikram” may falter in its execution of certain narrative elements, it nevertheless stands as a testament to Lokesh Kanagaraj’s ambition and vision as a filmmaker. With its blend of espionage intrigue, pulse-pounding action, and compelling performances, “Vikram” offers a tantalizing glimpse into the expanding universe crafted by one of contemporary Indian cinema’s most promising talents. As audiences eagerly await future installments, one thing remains clear: the “Lokesh Kanagaraj Universe” is poised to captivate and enthrall audiences for years to come.
